The opera is a pastiche: It contains music by Vivaldi, some original, some adapted from earlier operas (all the recitatives and arias for Bajazet and Asteria) arias by Hasse, Giocomelli, and Carlo Broschi (brother of the famous castrato, Farinelli) reworked by Vivaldi and three (also by Vivaldi) that have been chosen by conductor Fabio Biondi where they were missing from the score. Believe it or not, after Bajazet’s suicide, Tamerlano is satisfied, and he pardons Asteria and Andronico. Asteria loves and is loved by Andronico, a confederate of Tamerlano’s Idaspe is a confidante of Andronico. In the opera, Tamerlano, though promised to the selfish princess Irene, loves Bajazet’s daughter Asteria, who tries to kill Tamerlano twice. This stunning work is one of the 50 operas composed on the subject of the bloody rivalry between the Tartar tyrant Tamerlano, whose methods of intimidation included constructing towers made up of his enemies heads (120 towers of 750 heads in Baghdad alone), and the proud Ottoman sultan, Bajazet, who after being imprisoned by Tamerlano opted for suicide rather than submission.
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